Publications
Selected Publications in the Arts
Joynes, L (2019) “FormLAB: Interfacing Technology with Site” (2019) ISEA International Symposium of Electronic Art, Asia Culture Center, Gwangju, Korea
Joynes, L. (2019) “The Artist-centric model in museums” in Looking to New Institutional Models: China’s Cultural Landscape by Mid-Century, Ching, N and Tanner, L, (eds), Long Museum, Shanghai
Joynes, L. (2019).“The Artist as Explorer,” in Going Beyond: Art as Adventure (2018) O’Neill , R
and Werner, J (eds.), Newcastle, UK: Cambridge Scholars.
Joynes, L and Vu, T et al (2018). DrawnOver: Contemporary Drawing, Vojvodina, Serbia: Museum of Contemporary Art [catalogue].
Joynes, L. (2016). “The Artist Explorer: FormLaboratory: Geographically Dispersed
Performance in Brazil (2012-2013) and Mongolia (2014)” Sao Paulo, Brazil: Escola deComunicações e Artes, Universidade de São Paulo [post-doctoral thesis].
Joynes, L (2015). “FormLAB” in Anywhere v.1.(2015). Lowry, S. and Douglas, S. (eds.),,
Melbourne, Australia: University of Melbourne and New York: Parsons School of Art, Media and
Technology, Parsons, New School for Design, New York.
Joynes, L. (2015) “The Artist as Explorer,” Washington D.C.: College Arts AssociationConference
Joynes, L and Vu, T. (2015) Les Joynes and Thomas Vu in Interview” in Draw: Artists from
China at Inside Out Art Museum, New York: LeRoy Neiman Foundation [catalogue].
Joynes, L (2014). “FormLaboratory” in Art and Research at the Outermost Limits of Site
Specificity (2014) Lowry, S and Douglas, S. (eds.). Newcastle, Australia: Univ. of Newcastle.
Joynes, L. (2014).“Nomadic and Geographically Dispersed Practice,” Chicago: College Arts
Association Conference.
Joynes, L. and Basu, S (2011). “The Invisible and the Transvisible in contemporary art in
Singapore,” in Octopus, Journal for Visual Culture. Irvine: University of California, Irvine
Joynes (2008)" Multi-spatial Performance: at Bauhaus-Dessau, November 2008: record
dances, Bühnenstudios der Stiftung Bauhaus Dessau [Internet].
Joynes, L. (2004) “Intelligent IT interface to genomics” Legislation of genetic
testing in the US and Iceland: Legislative Implications and Strategies, Tokyo, Japan
The Human Genome: Areas of Light and Shadow (E.Kon et al, Shokabo Publishing, Tokyo 2001)
Joynes, L. (1999). “Some Say They Did: Some Say They Didn’t, Contemporary Art of Yoshitomo
Nara at Ginza Art Space” New York: Art in America.
Joynes, L. (1998).“The New Pathetic. Contemporary British art in the 1990s,”Vienna: Springer.
Selected Books and Publications in Technology
Joynes, L. (2004) “Bringing Intelligent IT interface to human healthcare” Legislation of genetic
testing in the US and Iceland: Legislative Implications and Strategies, Tokyo, Japan
The Human Genome: Areas of Light and Shadow (E.Kon et al, Shokabo Publishing, Tokyo 2001)
Stem Cell Technology (E.Kon et al, Chuokoronjigyou Publishing, Tokyo 2003).
Joynes, L. (1999). “Some Say They Did: Some Say They Didn’t, Contemporary Art of Yoshitomo
Nara at Ginza Art Space” New York: Art in America.
Joynes, L. (1998).“The New Pathetic. Contemporary British art in the 1990s,”Vienna: Springer.
Joynes, L. (1998) Scientific Journal Editing, Tohoku University, Japan.
Joynes, L, and Shani, A (1990)” Managing The Technology Transfer Process: The Parallel
Learning Mechanism, Seoul, Korea: Dankook University Press.
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